TRAGEDY AND COMEDY IN BECKETT’S ENDGAME

dc.contributor.authorKocaman, Şengül
dc.date.accessioned2024-04-24T19:05:02Z
dc.date.available2024-04-24T19:05:02Z
dc.date.issued2013
dc.departmentDicle Üniversitesien_US
dc.description.abstractAbsurd theater, spanning from the Alfred Jarry who was at the forefront of French surrealism with King Ubu and to its’ pinnacle period after the Second World War, disregards all of classical theater’s rules and norms. In the absurd, lack of communication, death, loneliness and the meaninglessness of life are handled very differently and the audience is surprised, even agitated by the portrayals. The interconnectedness of tragedy and comedy lies in this bewilderment and agitation. It is the dilemma between humans’ mortal fats, and the passion they feel for life. This makes all the behaviors’ both tragic and comical. Dark humor has an important place in the absurd and can be frequently seen in the most of the works of the master Beckett. This paper concentrates on the tragic-comical features of the authors Endgame and especially concentrates on the richness of meaning created. The study progresses in two stages: In the first instance the characters are analyzed with their various features and the tragedy of their realities. At the second stage of the study the comedy behind their tragedy is studieden_US
dc.identifier.endpage168en_US
dc.identifier.issn3023-7165
dc.identifier.issue25en_US
dc.identifier.startpage151en_US
dc.identifier.trdizinid270829
dc.identifier.urihttps://search.trdizin.gov.tr/yayin/detay/270829
dc.identifier.urihttps://hdl.handle.net/11468/27021
dc.identifier.volume0en_US
dc.indekslendigikaynakTR-Dizin
dc.language.isoenen_US
dc.relation.ispartofFrankofoni
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.titleTRAGEDY AND COMEDY IN BECKETT’S ENDGAMEen_US
dc.titleTRAGEDY AND COMEDY IN BECKETT’S ENDGAME
dc.typeArticleen_US

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